| In Short: | A fun, violent comic book action movie sequel that improves upon the original |
| Recommended? | Yes |
| SCUD | Lock up your daughters, boys and girls, the Dark Knight returns. |
I must admit that I am not too familiar with the Blade
comics. I like the movie Blade. I particularly like
Blade II. And I will even admit to liking Blade:
Trinity, despite its problems (its many, many, many, many
problems). What I am not sure about, though, is whether or not I
gain or lose geek cred for liking the movies - are they worthy,
reputable movies that are true (or true enough) to the original
comics, or are they, at most, guilty pleasures? Luckily, I have
been informed that in the event of losing whatever geek cred I
may still have, I will able to take out a loan on credibility
from the soon-to-be-in-business Geek Speak Bank (look for a
branch opening near you!). So whatever the case, of the movies,
the 2nd is by far the best, and I am here, before you all today,
too tell you why (in my opinion, at least).
The plot is a fairly standard action sequel plot, in that the
heroes (Blade, and his own personal Q-branch guys of Whistler
and Scud) must join forces with their enemies (Vampires, in
particular a squad known as the Bloodpack specifically put
together to take on Blade himself) in order to stop a new menace
that threatens them all (Reapers, a type of mutated vampire). As
the movie progresses, loyalties are questioned, revelations are
made, a romance between the two sides is hinted at - it's all
here. Not the most original of plots, no, but still provides a
solid foundation for the movie. So what makes Blade II
stand out and in many ways above others? Follow me to paragraph
3 to find out.
Guillermo del Toro. That's probably enough explanation right
there (and would make my job much easier to leave it at just
that, but I can already sense the glare from my editor), but to
expand on that, the man just has a great sense of style and
vision. The movie feels like a comic book, but without
being cheesy, and it has the right tone for a movie about a
Vampire Hunter. The imagination that is showcased in his later
movies -- Pan's Labyrinth and the Hellboy
movies (also starring Ron Perlman) -- is prevalent here,
particularly during the entire sequence at the House of Pain. I,
for one, am looking forward to del Toro's take on The Hobbit - one can only hope that
not only will the same sense of wonder and imagination pervade
those movies (what's up with splitting it into two movies,
anyway? Ah, probably a discussion for another time), but that
he'll also have Bilbo kicking as much butt as gets kicked in
this movie.
Oh, yeah, the action. A comic book movie about a half-vampire
killing vampires (and mutated vampires) wouldn't be worth much
if the action scenes aren't worth their weight in salt (though
why someone would try to weigh an action scene is something that
I'd rather not attempt to contemplate). But this movie
definitely holds up its end when it comes to action scenes. With
fight scenes choreographed by the excellent Donnie Yen (who US
fans may know as one of the two leads from Iron Monkey,
or as Sky from Jet Li's Hero), and more of a focus on
action than story, this movie surpasses its predecessor on the
ass-kicking front, which, for this type of movie, pretty much
means it surpasses its predecessor in general.
Going along with the action is the R-rating (here in the States,
at least), which is somewhat rare (increasingly so, actually) in
comic book movies. There is a lot of blood, a lot of gore, a lot
of violence, and all of it is both warranted and necessary. Good
choice for the producers to not try for a lower rating.
But this isn't to say that the movie is perfect, by any means.
The plot explanation as to why Whistler is still alive is quite
contrived (he says, oddly not in an attempt to rhyme), the
computer graphics aren't quite up to par (watching it now, at
least. The transition between live person and CG superhuman is
not as smooth as it should be), many of the supposedly
exceptional fighters of the Bloodpack are killed too easily (how
do you kill off Donnie Yen that easily?! It's Donnie
Yen!), and the final confrontation between Blade and Reinhardt
(Ron Perlman) was, though somewhat amusing, ultimately
unsatisfying considering the buildup throughout the entire
movie.
Despite the flaws, though, this movie does, indeed, combine the
right style with a decent plot and plenty of action to take the
crown of the Blade movies, and is quite possibly on the
top of the echelon of R-rated comic book movies.


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